Beadmaking marathon

On Sunday, March 3, 2019, the energy in the flameshop at The Studio of The Corning Museum of Glass was buzzing as many experienced beadmakers gathered to participate in a beadmaking marathon in support of a wonderful program called Beads of Courage. Beads of Courage is an organization that distributes handmade glass beads to hospitals to be given to children in recognition of milestones in their treatment for severe or chronic illnesses.

Beadmakers participating in Beads of Courage at The Studio.

To make this event possible, The Studio opened its flameshop and all 10 torches, and provided all of the tools and materials to be used. Almost 20 beadmakers, both staff and volunteers, came together and got to work. In just eight short hours, they created hundreds of beautiful and unique glass beads, which will all be donated to Beads of Courage. Some participating artists even brought previously made beads for donation as well.

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33rd Rakow Commission is unveiled this week; Artist reminds us to look for the sunshine

Japanese artist and educator Rui Sasaki was selected to create the Museum’s 33rd Rakow Commission, which will be featured as the 100th work in New Glass Now. Sasaki will visit CMoG to deliver a Behind the Glass lecture about her work on March 28 at 6:30 p.m., after which, her work will be unveiled.

“The Rakow Commission is designed to assist emerging artists in pushing their practice and Rui’s piece, Liquid Sunshine/I am a Pluviophile is an excellent example of the process at work, said Susie Silbert, curator of modern and contemporary glass at The Corning Museum of Glass. “I’m incredibly impressed by her ambitious approach to material and concept, which she has furthered to great effect in this piece.” 

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Photographing glass: Using reflectors

An essential, but often underappreciated, bit of photography studio gear is the humble reflector card. In this post, I will show three examples of how we use reflectors with glass objects to demonstrate just how important they are.

What is a reflector card? Simply put, it is piece of card stock, foam board, paper, or foil used to reflect light from a source. It can be shiny, dull, satin, white, gray, etc. For our purposes, we only use neutral colors because, as a museum, we have a responsibility to faithfully reproduce accurate color of the objects we photograph. You can get reflector card stock and cut your own to size or buy assortments of common sizes (most of the reflectors in the examples in this post are made by LightRight). You can even use aluminum foil, which conveniently has a shiny and a dull side, attached to cardboard or foam board. Crinkling the foil and then smoothing it back out creates a third surface type. White card stock or foam board works well for softer fills.

In the three examples that follow, I will show how reflectors can be used to evenly light an entire object, showcase transparency and translucency, and subtly create highlights and define edges.

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Glass: The stone that pours

Have you heard that ancient people didn’t see the color blue, because there is no word for ‘blue’ in many ancient languages? This idea shows up occasionally in popular media, although scholars have demonstrated repeatedly that the Greeks and other ancient people certainly recognized and saw the color blue, although they described, and perhaps even experienced, the color differently than we do today. But these studies do show that language shapes the way we see and experience the world.

So what does this have to do with glass? Ancient people did not have a separate word that referred specifically to the material we call “glass” until the Romans began to use the Latin word vitrus in the first century B.C. The first century B.C. was a critical time in the history of glass: the new technology of glass blowing was about to take off, and more people were drinking from glass cups, wearing glass jewelry, decorating furniture and walls with glass inlays, and playing dice and board games with glass tokens.

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New Glass Review 43: An Outside Perspective on the Best of Contemporary Glass

Get excited and check the mail, because New Glass Review returns this month for its 43rd issue.

An annual exhibition-in-print, New Glass Review features 100 of the most timely, innovative projects in glass produced during the year. Artworks include sculptures, vessels, installations, and other works in glass by emerging and established artists.

A flagship publication of The Corning Museum of Glass since 1980, New Glass Review is a cyclical reintroduction into the world of contemporary glass and the artists who inhabit it; artists who continually push the boundaries of the material and the limits of their expression.

Following an open call for submissions that receives hundreds of entries every year from countries across the world, New Glass Review is curated by the Museum’s curator of postwar and contemporary glass and a changing panel of guest curators. While the search for the Museum’s next contemporary curator was underway this past summer, Samantha De Tillio was invited to lead the selection process. De Tillo was joined by Davin K. Ebanks, Kim Harty, and Kimberly Thomas.

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Amy Schwartz & William Gudenrath Honored with 2023 James Renwick Alliance for Craft Award

The Studio’s Amy Schwartz and William (Bill) Gudenrath were honored on Saturday, May 6 in Washington DC with the James Renwick Alliance for Craft (JRA) Distinguished Craft Educator Award for excellence and innovation in education. The biennial award was celebrated at the JRA Spring Craft Weekend with a Symposium, Gala, and Awards Brunch. Recognized for their influence on future artists and significant contributions to American education in the craft field, Amy and Bill’s selection as honorees was the first time in the ceremony’s 20-year history that both makers and educators were honored at the same time.

William (Bill) Gudenrath and Amy Schwartz with their award at the Smithsonian Museum, Washington DC, May 6, 2023. Photo courtesy of the James Renwick Alliance.

Amy and Bill are the latest on a long list of distinguished honorees—the JRA Award has recognized some of the most influential craft artists in American history. This year, the other nominees included ceramic artist, social activist, and spoken word poet Roberto Lugo (the youngest artist to ever receive the Master of the Medium award); furniture maker Kristina Madsen; and curator, quilter, author, art historian, and aerospace engineer Carolyn Mazloomi.

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CMoG Named One of the “7 Glass Wonders of the World”

Capping a truly momentous year for glass, The Corning Museum of Glass has achieved a new distinction: being named one of the “7 Glass Wonders of the World.”

The announcement was made during the closing festivities of the United Nations International Year of Glass (IYOG) 2022. The year officially concluded with a Conference and Ceremony at the University of Tokyo, Japan, on December 8-9, which was attended by our very own President and Executive Director Karol Wight. This event was followed by an official debriefing held at the United Nations headquarters in New York City on December 14.

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The Maestro’s Farewell Tour: Corning Celebrates Lino Tagliapietra’s Impact on Glass

Lino Tagliapietra in the Museum’s Amphitheater Hot Shop, May 13, 2022.

Lino Tagliapietra may be retiring, but not before one final visit to The Corning Museum of Glass. Last weekend was a monumental one for Lino, the glassblowers and staff at the Museum, and all the guests who filled the Amphitheater Hot Shop to see the Maestro at work during what will be his final performance in Corning.

To celebrate Lino’s enduring legacy, we asked those lucky enough to know and work with him, to describe the impact he has made on the glass world. To no surprise, the response was fervent and unanimous: Lino’s impact is, and will always be, extraordinary!

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