One of the joys of managing social media channels for The Corning Museum of Glass is the opportunity to see how visitors are experiencing our spaces. Each visitor brings a unique perspective to our collections, activities, and demonstrations. The Museum’s latest exhibition, New Glass Now, clearly inspired creativity in staff and visitors alike. As we enter the last few weeks of the exhibition, I wanted to look back at nine of the very best New Glass Now social media posts from this year.
Read more →A Shot at the Moon
Sometimes the hardest thing about creating an exhibition at The Corning Museum of Glass is selecting which objects make the cut, so to speak. For the exhibition Journey to the Moon: How Glass Got Us There, we thought about including telescopes and some other objects from our collection that related to the Apollo 11 mission. One such object is this uniquely shaped souvenir tumbler.
Ultimately, we decided to focus on the glass in the Apollo spacecraft, glass in the astronauts’ space suits, and the glassy material found on the Moon. This commemorative tumbler simply didn’t fit into any of those categories, so we placed it in the Study Gallery and decided to feature it here, on the Museum’s blog instead.
This footed souvenir glass tumbler, from its unusual form to the images it displays, tells the story of the first manned lunar landing. Let’s take a closer look.
Read more →Celebrate the Season at The Studio!
From 9am-5pm on Saturday and Sunday, December 7-8, The Studio will host its annual Holiday Open House and Glass Sale. Now in its 24th year, this event is a festive weekend packed with special holiday glassworking experiences and the much-anticipated Annual Studio Glass Sale, bringing together The Studio team, volunteers, and families from near and far. The celebration continues Museum-wide with live carolers and bands, crafts, and visits with Santa and Mrs. Claus.
A majority of the artwork available at the sale is made in Corning by local artists, with additional glass donated by artists-in-residence and established glassmakers from around the world. This is a great opportunity to begin holiday shopping for unique gifts at great prices. The sale is located along the hall from The Studio and can be found by following signs from The Studio’s main entrance.
Read more →Don’t Hassle Me. I’m Local: From Real to Imaginary, New Glass Now Artists Explore the Idea of Place
Open until January 5, 2020, at The Corning Museum of Glass, the exhibition New Glass Now aims to teach visitors about the exciting field of contemporary glass. Through 100 works of art and design in glass, the exhibition is a snapshot of the wide-ranging themes, ideas, and techniques glass artists are engaging with today. A handful of these 100 artists carry this idea of capturing a moment in time one step further by evoking a specific time or place in their work. Whether the location is personally meaningful to the artist, or completely imaginary, many of the artworks in New Glass Now grapple with how to explore or capture a sense of place.
In 2016, Philip Johnson’s Glass House in New Caanan, Connecticut, commissioned internationally-renowned contemporary artist Miya Ando to develop an editioned sculpture to sell at their Design Shop. Ando, known for her watercolor-like paintings on sheets of aluminum, turned to the image of a fleeting cloud to capture the calm and contemplative environment of this icon of modern architecture. In her body of work, Ando often explores the Buddhist concepts of compassion, wisdom, and impermanence. The piece she created for the Glass House, titled Kumo (Cloud) for Glass House (Shizen), Nature Series, is a glass cube containing a laser-etched cloud. She photographed this cloud above the house during a visit. The piece contains a meditative environment, inviting the viewer to gaze inside.[1] Not only is Ando capturing the calm feeling of the Glass House in a portable object, but also the singular moment when the cloud floated overhead. Impermanence, another important concept to Buddhists, is a common thread that runs through Ando’s work. She uses transparency to embody this concept, most often using the medium of glass.[2]
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