Virtual Journeys into our Collection: Thoughts from a Graphic Designer

This recurring blog series will feature virtual gallery walks with staff members from The Corning Museum of Glass. Everyone at our Museum interacts with the collection in different ways depending on the job they do and the perspective they bring. Hear from fascinating people and learn about their favorite objects as they provide a virtual peek at some of the treasures in our collection—and make plans to come see them in person when we reopen! This next comes from Stephanie Carr, a graphic designer in our Marketing Department.


 
Stephanie Carr

Growing up in Corning, I became quite familiar with The Corning Museum of Glass. From class field trips and student art shows, I found myself entering those large glass doors and finding something new that piqued my interest every time. Massive bowls of fruit, flying boats, and paperweights that contained miniature worlds were all so…cool! Now, as a designer and artist, I have a better understanding of what made those pieces and many more so visually appealing and memorable. In this blog, I want to highlight eight of these objects, and the elements of design they represent to me.

Disclaimer: No one can officially agree on how many elements of design there are (try googling it if you’d like a chuckle), so for the purpose of this post, I have chosen six elements: line, shape, color, space, texture, and size.

Read more

The Snowflake Warrior Vase: Experiments to understand snowflakes and their suspension

Snowflake Warrior Vase, possibly Beijing, China, about 1825-1875. Gift of Benjamin D. Bernstein. 57.6.10.

I was intrigued and somewhat baffled when introduced to the Snowflake Warrior Vase and other snowflake glass objects in the Museum’s collection by Dr. Shelly Xue, our 2019 Carpenter Foundation Fellow for Asian Glass, and Astrid van Giffen, associate conservator at The Corning Museum of Glass. I was aware of the vase in our collection but can honestly say I had never given the background glass (the interior layer of glass) much attention. They were researching the Snowflake Warrior Vase and similar snowflake glass objects (read more about the Warrior Vase carvings and snowflake glass here) and asked me, a glassmaker, to suggest how such an unusual glass might have made.

Harry Seaman discussing samples with Dr. Shelly Xue (middle) and Assistant Conservator Lianne Uesato, in the Conservation Lab.

Looking closely, the inner layer of the Snowflake Warrior Vase is a glass unlike any other. This colorless glass not only contains a great density of fine bubbles (seeds) but also a significant amount of undissolved inclusion material. This “snowflake” material is in suspension evenly throughout the seedy glass. The seeds and inclusion material show up in varying densities in different objects, but the Snowflake Warrior Vase is a stunning example with a significant density of both bubbles and snowflake material.

Read more →

Virtual Journeys into our Collection: Thoughts from a Photographer

This recurring blog series will feature virtual gallery walks with staff members from The Corning Museum of Glass. Everyone at our Museum interacts with the collection in different ways depending on the job they do and the perspective they bring. Hear from fascinating people and learn about their favorite objects as they provide a virtual peek at some of the treasures in our collection—and make plans to come see them in person when we reopen! This next comes from Andy Fortune, collections photography department manager.


 
Andy Fortune

I first came to The Corning Museum of Glass as a photography assistant in 1996. I had photographed glass before, both personally and for another museum, but I was never satisfied with the results. I loved the way glass responded to light, but I struggled to capture it effectively. The Museum’s head of Photography at that time, Nick Williams, generously shared his knowledge and introduced me to a whole new world of approaches to tackle the challenges of lighting and photographing glass well, and I have been hooked ever since. My own way of paying that generosity forward has been a series of blogs on the subject to help others with the same interest in photographing glass.

Read more →

Next Stop, ‘America for Beginners’: a novel comes to Corning

This blog post comes to us from guest contributor, Leah Franqui, a Philadelphia-native now living in Mumbai, author of the debut novel ‘America for Beginners’ (2018). The fascinating story of a wealthy widow from India who takes a tour of America in search of her long-lost son, ‘America for Beginners’ weaves its characters into the very fabric of America, and makes not least of all, a stop at our very own Corning Museum of Glass.

Get your summer reading started early while you continue social distancing, and find out what inspired Franqui to set a scene within the Museum’s galleries and the affect it has on her characters.


 
Leah Franqui

It’s probably not every bachelorette party that includes The Corning Museum of Glass on their itinerary, and frankly, that might be for the best. It is a glass museum, after all. But my bachelorette party knew me well, so they knew that while I would love the wine tastings they’d organized for me in the Finger Lakes, the real star of the show would be in Corning, where I would finally visit the museum in real life that I had been looking at online for months.  

Read more →

New Glass Review 43: An Outside Perspective on the Best of Contemporary Glass

Get excited and check the mail, because New Glass Review returns this month for its 43rd issue.

An annual exhibition-in-print, New Glass Review features 100 of the most timely, innovative projects in glass produced during the year. Artworks include sculptures, vessels, installations, and other works in glass by emerging and established artists.

A flagship publication of The Corning Museum of Glass since 1980, New Glass Review is a cyclical reintroduction into the world of contemporary glass and the artists who inhabit it; artists who continually push the boundaries of the material and the limits of their expression.

Following an open call for submissions that receives hundreds of entries every year from countries across the world, New Glass Review is curated by the Museum’s curator of postwar and contemporary glass and a changing panel of guest curators. While the search for the Museum’s next contemporary curator was underway this past summer, Samantha De Tillio was invited to lead the selection process. De Tillo was joined by Davin K. Ebanks, Kim Harty, and Kimberly Thomas.

Read more →

Amy Schwartz & William Gudenrath Honored with 2023 James Renwick Alliance for Craft Award

The Studio’s Amy Schwartz and William (Bill) Gudenrath were honored on Saturday, May 6 in Washington DC with the James Renwick Alliance for Craft (JRA) Distinguished Craft Educator Award for excellence and innovation in education. The biennial award was celebrated at the JRA Spring Craft Weekend with a Symposium, Gala, and Awards Brunch. Recognized for their influence on future artists and significant contributions to American education in the craft field, Amy and Bill’s selection as honorees was the first time in the ceremony’s 20-year history that both makers and educators were honored at the same time.

William (Bill) Gudenrath and Amy Schwartz with their award at the Smithsonian Museum, Washington DC, May 6, 2023. Photo courtesy of the James Renwick Alliance.

Amy and Bill are the latest on a long list of distinguished honorees—the JRA Award has recognized some of the most influential craft artists in American history. This year, the other nominees included ceramic artist, social activist, and spoken word poet Roberto Lugo (the youngest artist to ever receive the Master of the Medium award); furniture maker Kristina Madsen; and curator, quilter, author, art historian, and aerospace engineer Carolyn Mazloomi.

Read more →

CMoG Named One of the “7 Glass Wonders of the World”

Capping a truly momentous year for glass, The Corning Museum of Glass has achieved a new distinction: being named one of the “7 Glass Wonders of the World.”

The announcement was made during the closing festivities of the United Nations International Year of Glass (IYOG) 2022. The year officially concluded with a Conference and Ceremony at the University of Tokyo, Japan, on December 8-9, which was attended by our very own President and Executive Director Karol Wight. This event was followed by an official debriefing held at the United Nations headquarters in New York City on December 14.

Read more →

The Maestro’s Farewell Tour: Corning Celebrates Lino Tagliapietra’s Impact on Glass

Lino Tagliapietra in the Museum’s Amphitheater Hot Shop, May 13, 2022.

Lino Tagliapietra may be retiring, but not before one final visit to The Corning Museum of Glass. Last weekend was a monumental one for Lino, the glassblowers and staff at the Museum, and all the guests who filled the Amphitheater Hot Shop to see the Maestro at work during what will be his final performance in Corning.

To celebrate Lino’s enduring legacy, we asked those lucky enough to know and work with him, to describe the impact he has made on the glass world. To no surprise, the response was fervent and unanimous: Lino’s impact is, and will always be, extraordinary!

Read more →