No, this isn’t an episode of the dystopian British TV show Black Mirror, although an investigation into the original 17th-century method for taking a selfie certainly sounds surreal enough. Rather, this is glass innovation at it’s best, something Corning is renowned for.
This past fall, glassblowers Anna Riley and Justin Ginsberg descended on Corning for a unique collaborative residency to research the Claude mirror—a dark, pocket-sized, reflective object used by artists more than 400 years ago. The Studio‘s Instructor Collaborative Residency is an invitational opportunity for artists who have taught an intensive course in Corning in the past five years to develop new work together. Working from the belief that attention is a creative medium, Riley and Ginsberg used their two week residency to create a series of handmade glass devices inspired by the Claude mirror. The devices are inherently beautiful objects, but also serve as modes for focusing attention for viewing and interpreting the world around us.
Following the completion of their work, Riley and Ginsberg gave us the lowdown on everything they learned after looking into the mirror.
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